November 18, 2021

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Ten years have passed since the release of her first album – nine have been released, eighty songs have been recorded. To mark this anniversary, a box of six 30 cm 33 rpm records, Dix ans de Brassens, is on sale. On November 6, Georges Brassens was honored for this work by the Académie Charles-Cros, receiving the 1963 International Grand Prix for Record from the hands of the writer Marcel Aymé.

Suffering from kidney stones for several months already, renal colic attacks become more acute. He underwent kidney surgery in mid-January. After a long convalescence, he is again on the boards of Bobino in September.

Yves Robert’s film, Les Copains, was released in 1965. For the credits, Brassens composed a song: Les Copains premiernote 20. The success she met was such that it reflected on the sales of his first album 33 rpm 33 rpm and on his triumph in Bobino (from October 21 to January 10, 1965) with, alternately, Barbaranote 21, Serge Lama, Michèle Arnaud, Brigitte Fontaine or Boby Lapointe. One of his new songs, Les Deux Uncles, in which he sends back to back the belligerents of the two camps of the Second World War to express the horror that the war inspires in him, creates confusion and earns him enmities among some of the his admirers28.

Jean-Louis Brassens, too, will never have seen his son on stage; he died on March 28, 1965 and Marcel Planche, for his part, on May 7 following.

To end her loneliness, Jeanne remarried at the age of 75, on May 26, 1966, with a young man of 37 years old. Annoyed by this marriage, Brassens left the Florimont impasse to move into a duplex near the Place Denfert-Rochereaunote 23. Jacques Brel, whom he met at Les Trois Baudets in 1953, is his neighbor; he is about to say his goodbyes on the Olympia stage. Out of friendship, Brassens wrote the text of the program for this event.

From September 16 to October 22, Georges Brassens performs on the boards of the National Popular Theater (TNP) with Juliette Gréco who is the first partienote 24. Every evening, he presents his plea to be buried at the beach of Sète and announces of his Bulletin de santé – in response to rumors distilled by a certain press – and for good measure, he (re) affirms his singularity and expresses the little good he thinks of activism and small groups of all kinds with the song The Plural, in which, whatever the circumstances, he proclaims: “Band apart, sacred blue, that’s my rule and I stick to it!” “

Used to suffering from kidney stones, he let the time pass. In May 1967, a new crisis forced him to interrupt a tour to undergo a second kidney operation. On June 8, sponsored by Marcel Pagnol and Joseph Kessel, the Académie française awarded him the Grand Prix for poetry for his body of work. Brassens is honored, but thinks he does not deserve it.

“I don’t think I’m a poet… A poet, it still flies a little higher than me… I’m not a poet.

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